A recent Bloomberg investigation detailed how Rockstar Games initially envisioned a far broader GTA 6 during early planning in 2015. A small team visited Miami that year to shape the project under the working title Project Americas, with intentions to cover extensive territories across both North and South America. The scope later narrowed to focus on a recreation of Miami and surrounding regions within a fictionalized version of Florida known as Leonida.

The finalized map will exceed the size of Red Dead Redemption II’s world by threefold, incorporating multiple districts such as Vice City, Leonida Keys, Grassrivers, Port Gellhorn, Ambrosia, and Mount Kalaga. This expansion reflects Rockstar’s emphasis on geographic breadth, though the condensed setting remains rooted in a stylized interpretation of Southern Florida.

Early development plans had GTA 6 progressing alongside Red Dead Redemption II, with shared resources intended to accelerate both projects. However, as Red Dead’s ambitions grew, leadership redirected staff toward its completion in 2018, pushing GTA 6’s timeline back by several years. Rob Nelson, a Rockstar executive, noted that concurrent development across studios had shifted to a sequential workflow, where teams finish one title before advancing to the next.

The report also addressed speculation about GTA 6’s budget, with Rockstar confirming that claims of a $1.5 billion development cost were inaccurate. Pre-sale figures show $600 million in revenue to date, with projections suggesting total earnings could reach $2 billion prior to launch.

Originally slated for 2025, the release was first delayed to May 2026, then to November 19, 2026. Take-Two CEO Strauss Zelnick expressed skepticism about the second delay during a public comment, asking Rockstar to verify the timeline. The game is set to launch on PlayStation 5 and Xbox Series X|S, though further postponements remain possible.

A recent survey sent to Xbox users asked how they would react if most new Xbox-developed games became exclusive to Xbox consoles and PC, with the exception of Call of Duty. The questionnaire, first shared by Windows Central, included prompts about specific franchises such as Fallout and asked participants to consider a scenario in which all Xbox titles except Call of Duty would be available only on Xbox hardware. One question also proposed removing Minecraft from future sales on PlayStation and Nintendo platforms, while allowing current owners to retain access and receive no further updates.

The survey sought to gauge player attitudes toward exclusivity, whether they would switch to Xbox hardware for exclusive titles, or avoid purchasing a game if it were made exclusive. It remains unclear whether the exercise will lead to concrete policy changes, as companies often test a range of hypotheticals without committing to implementation.

Xbox has previously announced that Gears of War: E-Day and Clockwork Revolution will be permanently exclusive to Xbox and PC, though it has not confirmed similar plans for other franchises. Titles such as Forza Horizon 6 and Fable are still slated for release on PlayStation 5, and the future availability of upcoming major releases like The Elder Scrolls 6 has not been specified.

Xbox CEO Asha Sharma has indicated internal concerns about the impact of Game Pass on day-one purchases of flagship titles like Call of Duty, suggesting a strategic reassessment may be underway. The company has already reversed its earlier decision to add Call of Duty to Game Pass immediately upon release and is rumored to adjust its day-one offering strategy in 2027. The survey results, while not definitive, reflect an ongoing evaluation of platform strategy amid shifting market dynamics.

Composer Mick Gordon contributed the climactic boss track for Warhammer 40,000: Boltgun 2, the sequel to the retro-styled first-person shooter Boltgun. Gordon, known for his work on Doom and Doom Eternal, said he was approached by developer Auroch Digital after the first game’s release. He described the sequel’s final battle as “big and bombastic and silly,” and accepted the invitation to create music that matched its scale. Gordon emphasized that each project requires a unique musical voice, rejecting the idea of reusing pre-existing riffs. He received gameplay footage and concept art from the studio’s quality assurance team to study, using the material to determine tempo and structure. He matched musical pacing to gameplay rhythm, avoiding tempos that might cause players to lower or mute the music. Collaboration involved iterative feedback, with Gordon presenting ideas for the team to approve or reject. He noted that only a small fraction of players — estimated at around 6% on Steam — would experience the boss battle’s soundtrack, which he viewed as a deliberate design choice to reward dedicated players. Gordon described his approach as aiming for “forward momentum,” where music and gameplay interact dynamically, allowing the player to influence the experience. Warhammer 40,000: Boltgun 2 launched on PlayStation 5, PC, and Xbox Series X|S, with a Switch 2 version planned for a later release. IGN awarded the game an 8 out of 10, calling it “an explosive sequel that packs a bloody punch.”

A new remaster of Total War: Shogun 2 has sparked backlash from fans shortly after its launch on Steam. The Complete Edition, released on October 14, 2026, was marketed by Sega and developer Creative Assembly as an updated version featuring enhanced visuals and higher-resolution UI scaling. Instead, players have reported persistent bugs, performance issues, and concerns about the use of AI-generated imagery in the game's graphics.

User reviews on Steam reflect widespread dissatisfaction, with 83% of early reviews rating the title as "Overwhelmingly Negative." Critics cite unaddressed legacy bugs, new technical problems, and a perceived decline in stability compared to the original 2011 release. One long-time player noted that the remaster "runs noticeably worse than other modern titles" and lacks support for community-created content through Steam Workshop.

The backlash intensified when artist Roland MacDonald, known for creating unit portraits in the original game, publicly criticized the updated visuals on the Total War subreddit. In a post shared by fans, MacDonald described the new artwork as "very lazy" and questioned the decision to charge a premium price for a version that "looks terrible" without human oversight. He also expressed concern that the final product appeared to rely on automated processes without proper quality control.

Sega and Creative Assembly have not issued a public response to the criticism. A representative from the company confirmed to Polygon that they are reviewing feedback and will provide updates at a later date. The original version of Shogun 2, which previously held a 90 Metacritic score and over 22,000 "Mostly Positive" Steam reviews, has since been delisted from the platform.

The situation highlights growing scrutiny over how classic titles are repackaged for modern audiences, particularly when technical execution fails to meet expectations. As players await clarification on bug fixes and development priorities, the controversy underscores the risks of re-releasing legacy games without ensuring functional integrity and transparent development practices.

Kotaro Uchikoshi announced the formation of a new studio, Crash Keys, through a cryptic message posted on X/Twitter on Thursday. The announcement included a minimalist website that introduced the company as a game development collective focused on design, direction, and narrative writing. Uchikoshi, best known for his work on the Zero Escape series, stated that the studio had been in development since March 2025. He had intended to formally reveal Crash Keys in 2027 alongside a new game project that his team had been building for approximately one and a half years. According to his statement, that project was abruptly canceled.

The website lists Shibuya, Tokyo, as the studio’s headquarters, sharing a building with Izanagi Games, which published World's End Club—a title Uchikoshi contributed to. The founding team includes Akira Mine, known for The Hundred Line: Last Defense Academy and Danganronpa 2×2, and scriptwriter Muri Sasaki, who has worked on Zero Escape and AI: The Somnium Files. Additional roles are attributed to two encrypted profiles labeled "HLPUL UFHLK" and "CESTN RTKSH," whose identities remain undisclosed. Cryptic references on the site align with naming conventions from Uchikoshi’s earlier works, suggesting possible narrative connections.

Phrases such as "RHIZOME-9" and "MEMENTO MORI, IF THE NINTH LION ATE THE SUN" appear on the site’s footer. The latter phrase was previously used in Virtue's Last Reward, a game in the Zero Escape series. Uchikoshi did not elaborate on the significance of these messages.

Crash Keys operates as a creative collective rather than a traditional publisher, with Uchikoshi serving as CEO and creative director. The studio’s launch comes amid growing interest in narrative-driven independent games and follows Uchikoshi’s departure from Too Kyo Games, where he collaborated with Kazutaka Kodaka on The Hundred Line -Last Defense Academy-. His prior credits include script contributions to the Punch Line anime and the original concept for The Girl in Twilight.

No official release dates, publishing partners, or development timelines for future projects have been disclosed. The cancellation of the unnamed game remains unexplained, and no further details about its scope or platform have emerged.

Valor Mortis, a recently released game developed by One More Level and published by Lyrical Games, attempts to translate the core mechanics of Soulslike titles into a first-person perspective. The game follows William, a soldier navigating plague-ridden battlefields inspired by 19th-century military conflicts. Unlike traditional Soulslike games, which are typically played in third-person with a camera positioned behind the character, Valor Mortis presents combat from a first-person viewpoint, altering how players perceive and interact with enemy encounters.

The game retains several hallmark Soulslike elements, including high difficulty, permanent loss of progression items upon death, and a focus on precise timing in combat. It also features a weapon wheel allowing access to melee blades, firearms, and magic abilities, as well as a quest log system designed to clarify objectives. However, the shift to first-person creates significant challenges in spatial awareness and combat fluidity. Players must contend with limited visibility when engaging multiple enemies, as close-quarters combat often fills the screen with a single opponent, obscuring the positions of others. This limitation is compounded during encounters involving area attacks or coordinated assaults, where tracking threats becomes difficult.

Parrying mechanics, a staple of the genre, prove particularly inconsistent in first-person. The game’s parry system lacks the tactile feedback and depth perception expected by players familiar with titles like Bloodborne or Lies of P. Missed parries during boss fights, such as the encounter with General Lothaire, result in rapid health depletion due to multi-hit combos. Additionally, the absence of dodge-rolling — replaced by a stamina-intensive dash — increases the risk of environmental hazards, such as fire or water, when escaping danger. The game includes an on-screen indicator for incoming attacks, a design choice interpreted as an acknowledgment of the difficulty in conveying spatial threats through visual cues alone.

Despite these shortcomings, Valor Mortis introduces innovations that could influence future Soulslike titles. Its structured quest log improves accessibility compared to the often opaque quest systems found in games like those developed by FromSoftware. The inclusion of a pause function, rare in the genre, also offers practical benefits for players needing to reassess combat situations. While the game represents a notable attempt to reimagine Soulslike mechanics for a new perspective, its execution highlights the technical and design hurdles involved in adapting such experiences to first-person viewpoints.

Kadokawa's Young Ace editorial department issued an apology last week for incorporating character designs from Ieri Komen's manga adaptation of Festival of Heresies without obtaining prior permission. The admission came after the company acknowledged that the designs were used during the development of Kei Natsumi's manga adaptation of Rokakoen's Pitch-Black Infatuation (Shikkoku no Bojō) novel.

According to the editorial team, standard procedure requires securing permissions before a manga's serialization begins. In this instance, the designs were employed without formal approval. The department emphasized that neither Rokakoen nor Kei Natsumi bore responsibility for the oversight, and extended apologies directly to Ieri Komen.

The timeline leading to the error was detailed by the editorial department. Kei Natsumi initiated pre-production for the Pitch-Black Infatuation manga in August 2025. At that stage, the team engaged with the Kadokawa Horror Bunko editorial department, which oversees both Festival of Heresies and Pitch-Black Infatuation novels, to request permission to reference Ieri Komen's character designs. Specifically, the characters Rumi Sasaki and Yukiyoshi Aoyama — who feature in both source works — were identified for potential use.

The Kadokawa Horror Bunko department responded with a statement interpreted as permissive, saying, "It's probably also fine to use original character designs." However, the reply did not constitute formal authorization from Ieri Komen. Following this ambiguous response, the Young Ace editorial team proceeded to use Ieri Komen's designs as reference material in the manga's development.

Upon the release of the first compiled volume of the Pitch-Black Infatuation manga, Ieri Komen contacted the editorial department to report additional unauthorized uses. Beyond the initially cited characters, the manga was found to have incorporated designs for two further characters — Ishigami and Emi Shimamoto — as well as a specific background location.

Rokakoen originally published Festival of Heresies under Kadokawa Horror Bunko in May 2021, with Pitch-Black Infatuation following in February 2022. Both novels received English translations through Yen Press in November 2024 and August 2025, respectively.

The manga adaptation of Festival of Heresies debuted on Kadokawa's Comic Walker website in July 2023 and concluded with its second volume in November 2025. Meanwhile, Kei Natsumi's manga adaptation of Pitch-Black Infatuation launched in Young Ace on March 4, with the first volume released by Kadokawa on August 4.

This incident underscores ongoing challenges in securing clearances for cross-title collaborations within the Kadokawa portfolio, particularly in cases involving shared universes and reused creative assets.

Sony Interactive Entertainment announced the games joining the PlayStation Plus Game Catalog in October 2026. The lineup includes Mafia: The Old Country, Horizon Forbidden West, Mycopunk, Poppy Playtime: Chapter 2, The Midnight Walk, Tales of Arise — Beyond the Dawn Edition, Monster Energy Supercross 25 — The Official Video Game, Dino Crisis 2, and RollerCoaster Tycoon 3 Complete Edition.

Mafia: The Old Country, a prequel set in early 1900s Sicily, follows Enzo Favara as he becomes involved with the Torrisi crime family. The game incorporates themes of labor struggles and poverty among Italian immigrants during that era. Polygon's Giovanni Colantonio described it as "a sobering reminder that tough times still create a breeding ground for exploitation today, just as they did in Sicily."

The catalog adds titles on staggered dates. Mafia: The Old Country, Horizon Forbidden West, Mycopunk, and Dino Crisis 2 become available on October 20. Poppy Playtime: Chapter 2 and Tales of Arise — Beyond the Dawn Edition join on October 27. The Midnight Walk is accessible starting October 14.

PlayStation Plus' Game Catalog, accessible through higher-tier subscriptions, offers hundreds of downloadable PlayStation 4 and PlayStation 5 titles. It serves as Sony's alternative to Xbox Game Pass. October 2026's Essential tier also includes the racing game F1 25.

Several anime and manga publishers revealed titles slated for release during the week of October 11-17. The schedule includes physical media, print manga volumes and digital publications across multiple genres.

Sentai Filmworks will issue a Blu-ray Disc edition of Master of Martial Hearts on October 13. AnimeNewsNetwork reports the release from Crunchyroll, priced at US$74.98. The same day, AnimEigo plans to publish a Blu-ray Disc of Non Non Biyori, listed at US$89.98.

Seven Seas and Viz Media are among the companies introducing new manga volumes. Seven Seas will release Are You a Landmine, Chihara-san? Graphic Novel 1 for US$13.99 on October 13. Viz Media’s lineup features titles such as Black or White Graphic Novel 13, Case Closed Graphic Novel 100 and Chainsaw Man Graphic Novel 22, each priced at US$11.99 or US$12.99 and scheduled for release on October 13.

Additional manga releases include Badducks Graphic Novel 1 from Alien Books (US$12.99), Beyblade X Graphic Novel 7 from Viz Media (US$11.99) and The Babe at My Back Has Her Eye on Me. I'm Done For. Graphic Novel 2 from Seven Seas (US$13.99). The week also brings new installments in ongoing series, such as GalaXic Baseball League Graphic Novel 1 from Viz Media (US$14.99) and Gachiakuta Dumpster Season 1 GN Box Set from Kodansha USA (US$149.99), both dated October 13.

Digital manga releases follow a similar pattern. Kodansha USA will publish Am I Actually the Strongest? Graphic Novel 20 for US$10.99 on October 13. Viz Media’s digital offerings include Black or White Graphic Novel 13 at US$6.99 and Chainsaw Man Graphic Novel 22 at US$6.99, both arriving on the same date. Other digital titles include Because I, the True Saint, was Banished, that Country is Done For! Graphic Novel 12 from Kodansha USA (US$10.99) and The Dungeon of Black Company Graphic Novel 14 from Seven Seas (US$8.99), each scheduled for October 13.

Print novel releases also feature new entries. Yen Press lists Agents of the Four Seasons Part II Novel 7 at US$16.00 for October 13. Additional titles from Yen Press and J-Novel Club include Alya Sometimes Hides Her Feelings in Russian Novel 9.5 (US$16.00), Black Summoner Novel 8 (US$15.00) and Bofuri: I Don’t Want to Get Hurt, So I’ll Max Out My Defense Novel 18 (US$16.00), all arriving on October 13.

Digital novel releases mirror the print schedule with Yen Press offering Agents of the Four Seasons Part II Novel 7 digitally for US$8.99 on October 13. Other digital releases include The Amazing Village Creator: Slow Living with the Village Building Cheat Skill Novel 5 from J-Novel Club (US$7.99) on October 12 and Fluffy Café in Another World Novel 2 from Seven Seas (US$9.99) on October 15.

Audiobook releases feature titles such as Al the Adventurer: That Magic Shouldn't Work! Novel 1 from Seven Seas (US$24.99) on October 15. Additional audiobooks include Blade & Bastard Novel 2 from Yen Press (US$25.98) and That Time I Got Reincarnated as a Slime Novel 9 from Yen Press (US$25.98), both dated October 13.

Video game releases during the period include Castlevania: Belmont's Curse for multiple platforms from Konami (US$29.99) on October 15. Harvest Moon: Echoes of Teradea will arrive on October 15 from Natsume (US$39.99). Resident Evil 2 Deluxe Edition, Resident Evil 3 and Resident Evil 4 Gold Edition are scheduled for release between October 16 and 16 from CAPCOM at prices ranging from US$29.99 to US$49.99.

Tales of Eternia Remastered will be available on October 16 across Switch 2, Switch, PS5, PS4, Xbox X|S and PC from Bandai Namco (US$29.99). Ratatan, a Switch 2, PS5, Xbox X|S and PC title from Game Source Entertainment, is set for October 15 at US$34.99.

A separate section lists additional releases such as Ascendance of a Bookworm: Fanbook Book 7 from J-Novel Club (US$22.99) on October 13 and My Hero Academia: Ultra Artworks Book (hardcover) from Viz Media (US$50.00) on October 13.

Disclosure: Kadokawa World Entertainment, a subsidiary of Kadokawa Corporation, holds a majority stake in Anime News Network, LLC. Yen Press, BookWalker Global and J-Novel Club operate as subsidiaries of KWE.

Microsoft is surveying a segment of Xbox Insiders about a hypothetical shift that would make most of its internally developed games console-exclusive, according to Windows Central. The questionnaire, confirmed by the outlet as authentic, asks participants to consider a scenario in which all future Xbox-developed franchises except Call of Duty would launch only on Xbox consoles. Under that scenario, Minecraft would also become console-exclusive, with no new content updates or purchases on PlayStation or Nintendo platforms, although existing purchases and content would remain accessible. Existing titles on PC would be unaffected.

Respondents would be asked to indicate where they would most likely play such content: on an existing Xbox console, on a new Xbox Series X|S, on a PC, they would skip playing, or choose another option. A separate page of the survey polled users on how they would feel if future Fallout titles were similarly console-exclusive, with no changes to PC availability. The same questions were extended to The Elder Scrolls, Doom, Physint, Diablo, and Minecraft.

The survey was distributed to some Xbox Insiders this week, and Windows Central verified its authenticity. Xbox CEO Asha Sharma and Matt Booty, head of studios, recently told staff they would "re-evaluate" the company’s exclusivity approach and consider adjustments to "windowing" strategies, which have previously delayed some titles beyond their initial launch windows. The memo suggests the research is part of broader efforts to assess fan sentiment ahead of potential policy changes.

A return to broad console exclusivity would represent a significant departure from Microsoft’s recent focus on multi-platform availability and Game Pass integration. While the company has emphasized the need for stronger exclusive titles to drive growth, such a move would also carry commercial risks, including potential revenue loss from reduced platform reach. Sharma has previously overseen major restructuring efforts, including studio closures and game cancellations, as part of a strategic reset.

The current survey appears to be exploratory rather than a commitment to policy change. It reflects an ongoing effort to gather feedback on fan preferences, but no official decisions have been announced. Microsoft has not indicated plans to implement the proposed scenario, and the outcomes of the research remain uncertain.

Microsoft has introduced a new Xbox Nano controller that measures just over five inches in length and weighs 3.5 ounces, making it the smallest controller the company has released to date. The device features all 18 standard gameplay buttons and includes a rechargeable battery and a programmable action button for quick access to functions such as screenshot capture. Priced at $50 USD, the controller is marketed toward users with smaller hands, younger players, or those seeking a portable option for on-the-go gaming. Its compact design is intended to fit easily into pockets or bags. The Nano controller is available for pre-order immediately. This release follows Sony's announcement of a limited-edition DualSense controller for Gran Turismo, which was also revealed on the same day. Microsoft has partnered with Samsung to offer a bundle that includes the Nano controller and two months of Game Pass Ultimate for new subscribers when purchasing a new Samsung TV during the holiday season. Additionally, a separate bundle with Meta is in development, pairing the Nano controller with two months of Game Pass and a Meta Quest headset. Microsoft has indicated plans to impose usage caps on cloud streaming access for the controller in the future, requiring additional payment to continue playing beyond certain limits.

Peter Safran, co-CEO and co-chairman of DC Studios, spoke with IGN about the studio’s upcoming projects following Skydance’s acquisition of Warner Bros. The conversation covered the release of Clayface, the broader DC Studios slate, and the future of film and television under the new ownership.

Safran confirmed that Clayface, set in Gotham City and directed by James Gunn, will be the first narrative feature released under the Skydance era. The film, budgeted at approximately $40 million, marks a departure from traditional superhero spectacles by leaning into psychological body horror and character-driven storytelling. Safran described it as a rare example of a mid-budget, R-rated film within the DC Universe, emphasizing its focus on themes of identity, obsession, and transformation.

When asked about guidance from Skydance CEO David Ellison, Safran said Ellison expressed support for the studio’s long-term vision and granted creative autonomy. "He was complimentary and wants us to keep doing what we’re doing," Safran said, noting that Skydance’s resources would enable continued investment in diverse storytelling formats.

Safran highlighted the studio’s commitment to a spectrum of budgets and tones, citing Clayface as an example of creative flexibility within the DC brand. He noted that the film’s horror elements are designed to serve a deeper narrative, with Safran observing that effective horror often functions as a vehicle for exploring universal human fears.

Regarding the DC Universe’s continuity, Safran stated that Gotham’s aesthetic will maintain consistency across projects but allow for directorial interpretation. He referenced Matt Reeves’ The Batman: Part Two as an upcoming example of a distinct vision for the character, while affirming that each filmmaker will bring their own perspective to established settings.

On television, Safran confirmed that Gorilla Grodd is currently in production, with additional live-action and animated projects in development. He noted that series like Lanterns serve as platforms to introduce characters who may later appear in films, citing Aaron Pierre’s John Stewart as a character set to feature in Man of Tomorrow.

Lanterns Season Two has not been greenlit, and Safran indicated that future developments will depend on the reception of Season One. He also mentioned that several animated projects, including Mr. Miracle and Creature Commandos Season Two, are advancing in development, with the latter expected to move toward production soon.

When questioned about marketing strategy, Safran noted that Skydance has brought Josh Goldstein, a veteran in theatrical marketing and distribution, back into the fold. He described the acquisition as a "homecoming" and emphasized ongoing discussions about promotional approaches.

Regarding James Gunn’s next directorial project, Safran confirmed that no decisions have been finalized. Gunn remains engaged in multiple DC-related endeavors, including Creature Commandos Season Two and the upcoming Superman film.

Safran addressed concerns about Batman: Part Two’s production status, stating that there are no plans to halt filming. He expressed confidence in the project’s trajectory, citing early footage as promising.

The interview underscores DC Studios’ strategy of balancing high-budget franchise films with smaller, genre-driven projects. Safran emphasized that the studio’s approach prioritizes narrative diversity and creative risk-taking, aiming to differentiate its output in a competitive market.

With a slate spanning films, television, and animation, DC Studios appears positioned to expand its storytelling footprint under Skydance’s ownership, though specific timelines and project details remain subject to change.

Magic: The Gathering will reprint the black instant Soul Spike as part of a new Secret Lair drop titled Strange School, announced on October 13, 2026. The card originally debuted in July 2006’s Coldsnap set and has not been printed since, making it a scarce item on the secondary market. Market data shows non‑foil copies currently sell for about $17.57, while original foils command higher prices.

The reprint appears in a five‑card collection that also includes Attrition, Bitter Ordeal, Ophiomancer, Desperate Ritual, Sign in Blood, and Thoughtseize. Each card features manga‑style artwork by Japanese creators and is packaged in a black‑and‑white aesthetic that reflects the darker tone of the Hexhaven plane introduced in the Reality Fracture set. Non‑foil versions of the drop will cost $29.99, with traditional foil versions priced at $39.99.

Soul Spike’s gameplay mechanics involve dealing four damage to any target while gaining four life, but players may exile two black cards from their hand instead of paying its seven‑mana cost. This alternative cost has made the card a staple in Modern’s Necrodominance decks, where it is used to convert excess black cards into damage and life gain. Its competitive relevance, combined with the lack of prior reprints over the past 20 years, has driven its market value.

The Strange School drop is not the only reprint tied to the Reality Fracture theme. A second Secret Lair set, Duality Distorted, will feature Thoughtseize, Desperate Ritual, Pyroblast, and Tribute to the World Tree, showcasing reinterpretations of earlier artwork by established Magic artists. Both drops will be sold individually through the Secret Lair Chaos Vault, with larger bundles ranging from $159.98 for a non‑foil package to $234.99 for an Everything Edition that includes foil and non‑foil copies of both sets.

Wizards of the Coast has not indicated that the reprint will significantly alter the price of the original card, but it does provide players with an accessible alternative to the increasingly rare original printing.